Gibson J-45 Standard Best Acoustic Electric Guitar 2020

Gibson J-45 Standard Best Acoustic Electric Guitar

by Gibson Acoustic

Average User Rating: 9.6/10

Gibson J-45 Standard can be a part of Gibson’s top-selling. Gibson J-45 standard “The Workhorse” line,  was introduced in 1942. This kind of round-shoulder, dreadnought acoustic guitar is known for their full, balanced expression, its warm bass sounds, and its great projection – a lot of which in turn came through subtle modifications to the bracing of its forefather, the J-35. The actual Gibson J-45 Standard  features that rich tone, on account of its AA-grade Sitka spruce top and pattern-grade Honduras’s mahogany body. And also, for unbelievable onstage tone, you will find a premier productive pickup system attached to the Gibson J-45 Standard.

Gibson J-45 Standard Acoustic-Electric Guitar Feature:

Gibson J-45 Standard - Vintage Sunburst


Body Style: Round Shoulder
Top Species: Sitka Spruce
Back and Sides: Mahogany
Binding: Multi-ply Top, Single Ply Back
Bracing: X-Bracing
Rosette: Multi-ply Single Ring


Bridge: Rosewood Belly Up
Bridge Pins: White
Bridge Inlay: Mother of Pearl Dots
Tuners: Nickel Grover Rotomatics
Pickguard: Tortoise Teardrop


Pickups: L.R. Baggs Element


Species: Mahogany
Profile: Comfort Contour Neck
Scale: 24-3/4″
Angle: 3 Degrees
Peghead Angle: 17 Degrees
Peghead Inlay: Mother of Pearl Logo
Nut: Black Graphtech
Nut Width: 1.725″
Joint: 14th Fret


Species: Indian Rosewood
Inlays: MOP Dots
Number of Frets: 20


Case Exterior: Black w/Logo
Case Interior: Blue

Nickel Grover Rotomatic Tuners

Grover’s original Rotomatic tuners are, and design marvels, with numerous style and performance exactly suited for the Gibson J-45 Standard. Using a gear ratio of 14:1, the particular Rotomatic deliver precision intonation in a durable housing that delivers the highest defense for the gear along with string post. Most moving parts usually are cut for particular meshing, eliminating the possibility of slipping. A countersunk tension screw allows players get a grip on the tuning pressure to any degree. Its own lubricant inside the gear box delivers smooth and accurate focusing stability.

Body Tonewoods (back, sides and top)

The top of the Gibson J-45 Standard is made from AA-grade Sitka spruce, whilst the back and sides are manufactured from pattern grade Honduras’s mahogany, presenting the Gibson J-45 Standard its globally renowned full, balanced expression, warm bass, and excellent projection. Choosing the right wood, and the formula to be able to dry it out, is a pair of the most central techniques to Gibson’s guitar-building process. Beginning its first catalog in 1903, Gibson has confident its customers whom all guitars would be built using woods using “the most durable, flexible, and sonorous qualities,” and today’s acoustic electric guitars from Gibson Acoustic are no different.


The pickguard for that Gibson J-45 Standard is Gibson’s standard basic tortoise tear drop design, which has been attached to the Gibson J-45 Standard since its arrival in 1942. As with several associated with Gibson’s pickguards, the coloring and also binding is all created by hand.


Just about every acoustic guitar made by Gibson attributes hand-scalloped, radius top bracing inside the body, a feature normally found only within limited run, hand-made various guitars. By scalloping each one brace by hand, the natural sound of the acoustic concentrates more toward the biggest market of the body, improving the instrument’s sound projection. The Gibson J-45 Standard comes with a variation of Gibson’s “X” brace pattern situated behind the soundhole, with a list of tall and thin braces for the rear, and scalloped tall and also thin braces for that top. This legendary bracing design offers a balanced expression, with punchy, deep lows, warm mid, and clear, crisp highs. When pushed for extra volume, your Gibson J-45 Standard projects a great all natural compression, which supports it combine nicely with any kind of complement.


A rosette could be the beautiful, hand-crafted circle around the soundhole, and can be essentially the most ornamental elements of almost any acoustic guitar. It can also be essentially the most subtle and complicated woodwork decorations on virtually any acoustic guitar. The rosette about the Gibson J-45 Standard is an easy single-ring rosette, including three-ply presenting, adding a stylish, understated attractiveness on the Gibson J-45 Standard.

Rosewood Fingerboard with Rolled Edges and Dot Inlays

The fingerboard of Gibson’s J-45 Standard is made from the top-level rosewood that is known, which can be privately inspected and competent by Gibson’s team associated with skilled experts ahead of it enters your Gibson factories. The durability of this durable wood makes the fingerboard really balanced and firm, and gives each guitar chord and notes unmatched clarity and bite. The Gibson J-45 Standard dot inlays are constructed with genuine mother pearl, measuring somewhere around 1/4-inch in diameter, and are also placed into the fingerboard using a method that reduces gaps. The fingerboard, furthermore, sports a rolled edge–instead of the normal suitable angle exactly where the finger board surface meets your neck, Gibson Acoustics rolled tips are slightly beveled on a very smooth and comfortable feel, enhancing the playability from the Gibson J-45 Standard.

L.R. Baggs Element Active Acoustic Pickup System

Gibson J-45 Standard has the widely accepted Element Active Acoustic Pickup System coming from L.R. Baggs, featuring a low-profile under saddle element–or transducer–that’s proven much more stable and durable than many standard ribbon-type pick-ups. Combined with an on the machine preamp by using an unobtrusive amount control mounted only inside the soundhole, the Component provides you with performance not previously attainable coming from an under saddle pickup. Their smooth and useful design removes unwanted internal components to boost the coupling relating to the pickup and the electric guitar, and improve the level of responsiveness of the transducer for a robust, lively, and pure acoustic sound along with wonderful dynamics in addition to delicate high end. Your Element works with a normal 9V battery, which is stored inside the guitar throughout L.R. Bagg’s new “Battery Bagg.”

Tapered dovetail neck joint allows the body and neck to become one solid piece of resonating wood.

Tapered Dovetail Neck Joint

Gibson J-45 standard – The Dovetail neck joint is one of the oldest–and best–ways of securely enrolling in the neck to your body of an acoustic guitar. It is additionally a complex and dear neck joint to build, but the result is a decent, locking connection that will support the neck for the proper neck-pitch angle, enabling the body and neck for being one stable piece of resonating wood, with no metal to impede vibration. The process is completed entirely manually, demanding patience and skill.

Features a radiused, or "tuned" top.

Radius Top

Gibson J-45 standard – The top many “flat-topped” guitars are under a lot of stress through the pull of the strings, which can eventually skimp on the top. So, some acoustic guitars are usually true “flat-topped” guitars, the many acoustics produced by Gibson in Bozeman, Mt has got a radius, or “tuned” top. Instead of being completely flat, a radius or perhaps “tuned” top is brought up a little, in addition to a specific instrument is used to help shape the top brackets to the radius of the top. This process gives tension and strengthens the top, creating a much easier joint where the prime meets the sides as well as reducing the stresses associated with string pull. Furthermore, it results in a “speaker cone” effect which maximizes sound projection, adding a major rise to mid-range levels for any more balanced traditional tone.

Nitrocellulose Finish

Utilizing a nitrocellulose finish to your Gibson acoustic guitar–including the Gibson J-45 Standard–is probably the most labor-intensive elements of the guitar-making procedure. Unlike the polyurethane finishes used by lots of guitar companies, a nitrocellulose lacquer finish off is porous when cured, allowing the actual wood to normally “breathes and mature. Microscopically slender, the finish on a Gibson acoustic guitar first requires seven main coats of nitrocellulose lacquer. After drying instantaneously, the initial seven coats are then degree sanded and given a couple of additional coats. Quit to dry regarding five additional times, the finish is then damp sanded and buffed to its final glass-like sheen. The time-consuming characteristics of applying some sort of nitro finish has been employed ever since the first Gibson beginner’s guitar was swathed with lacquer in 1894. Why? For starters, the nitro finish means there exists less interference with the natural vibration from the instrument, allowing for a new purer tone. It’s also a softer finish, making it easily fixable. You can touch up a scratch or reduction on a nitro finish; however, you can’t do the same on a poly finish.


Body binding adds a subtle elegance.


Body Binding

Gibson J-45 standard – In general, a new guitar’s binding serves as a cosmetic feature, including some sort of subtle elegance to any Gibson acoustic while hiding the joints between the top, back, as well as sides, and helping to protect the guitar’s body from any nicks or dings. However, to discover the process of putting the particular binding on a Gibson acoustic is to really appreciate the time and effort, and awareness included with each musical instrument. After a body may be glued together, the surplus from the top and back are attached off, and a rhythm is cut for that binding. The binding is then glued with and held on the body using recording, and left to dry. When the tape comes off, any excess glue is removed, and the body is moved in the next phase connected with production. It has been carried out the same way for over Century, and is a fundamental part involving Gibson Acoustics rich guitar-making history.

Gibson J-45 Standard Acoustic-Electric Guitar PRO and CON:


  • Sound is incredible! The Gibson J-45 Standard has the remarkable tone. The bass, mid, and highs all blend very well together.
  • The volume control in the sound hole is extremely sensitive. Easier to open the volume control on the guitar and adjust degrees on attenuator.
  • The neck can be quite comfortable, and the Grover tuners are a perfect match.
  • The guitar resonates and vibrates once you play it such that you’ll be saying to yourself “it’s alive.”
  • The finish of Gibson J-45 standard is great!


  • Strings were being a little heavy with regard to my taste as is also, but that was some sort of easy fix.
  • It had to shine haze and dust still left on it. All minor but at $2,000+ cash you expect better.

Final Thought on the Gibson J-45 Standard:

I’d been participating in many Martin for years. However, Gibson J-45 standard is better — sounds better, appears better, and it virtually plays itself. If you’re looking for an operating dreadnaught size acoustic inside the $2K to $2.5K range (Set Price), be sure to investigate a Gibson J-45 standard. I have no idea of what flaw’s others have found in workmanship, finish, etc. — but mine is absolutely ideal.

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Gibson J-45 standard

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